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Performance Spaces

There are three basic types of performance spaces:

  • Single purpose rooms
  • Multipurpose rooms
  • Rehearsal rooms

Though these spaces vary widely, they share one fundamental acoustical requirement: silence, the elimination of background noise.

Single-purpose rooms

The single-purpose performance space is a delight. Spaces with a focused acoustical function, such as concert halls, recital halls, and dedicated lecture rooms, offer a real opportunity for a client with a limited budget to achieve acoustical excellence. Limit the size, exclude background noise, focus the design around acoustical function, and excellence acoustics comes well within reach.

In real life, the true single-purpose performance space is rare. Nearly all performance spaces are multi use in practice, if not by design. Even dedicated concert halls are used for a variety of purposes.

Multipurpose rooms

Multipurpose performance spaces are often built to save the money it would entail to build several dedicated spaces. A school, for instance, that might be better served by a music recital hall and a speech theatre, builds one large, multipurpose auditorium because of cost. Since they are built for reasons of economy, multipurpose spaces are often too large, with budgets too small to provide what is necessary to make them work. The large, multipurpose performance space is one of the most difficult acoustical challenges, even under the best of circumstances.

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  • Churches & Synagogues
  • Business/Meeting Rooms
  • Sound Systems
  • Noise Measurement/Control
  • Acoustical Modeling

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    Architectural acoustics consultant and orchestral musician Brooks describes the fundamentals of acoustics and the factors to be considered when constructing a room or building with good sound quality. Aimed at practicing architects and the interested lay reader, the guide covers topics such as... Read More...


    Testimonials... (Read More)
    "There were doubts that this space could be made to work acoustically for drama, but you did it! One can understand every word when the actors speak and the singing voice blooms wonderfully. A great success, Chris!"

    Jeanne Clemmens
    Actors' Company

    The most common multipurpose spaces are churches and synagogues.

    Rehearsal rooms

    Rehearsal rooms, unlike most performance spaces, are usually too small. Sometimes, a music group that is too large or too loud will simply overwhelm the space. For these rooms, one needs a combination of sound absorption and sound-diffusing geometry that makes the room act like a larger room. Sufficient height is critical. A rehearsal room that has sound-absorbing surfaces, but lacks sound-diffusing surfaces will sound dead and unresponsive and will pose difficulties for hearing amongst members of an ensemble.

    Sound Isolation

    Rehearsal rooms are often located near performance spaces or other rehearsal rooms, and so require good sound isolation from these other spaces.

    Background noise

    Although background noise may not be as critical in a rehearsal space as in a performance space, mechanical (HVAC) noise control can make all the difference in the acoustics.

    Adjustable acoustics

    Relatively uncommon but very helpful is the use of adjustable acoustics for a rehearsal room utilized by different types of ensembles. A small vocal ensemble needs a room with some reverberation in order to blend its sound. A band, at the other extreme, requires maximum sound absorption. If both groups must share the same room, adjustable sound absorption is the means for satisfying both requirements.


    Stretansky Recital Hall Susquehanna University

    Lenape Middle School Auditorium

    Clemens Theatre Christopher Dock Mennonite High School

    Lancaster Trust Building Theatre

    Williamsport High School

    Binns Rehearsal Hall, Pennsylvania Academy of Music

    Mt. Gretna Chautauqua Playhouse

    Hannah Penn Middle School Auditorium

    American Music Theatre

    Cumberland Valley High School Auditorium

    McCaskey East High School Auditorium

    Domaine Forget de Charlevoix

    Northern York High School Auditorium

    Jim Thorpe High School Auditorium

    Conowago H.S. Auditorium Sound System Renovation

    More Examples
    Williamson High School Auditorium
    Boston Academy of Music
    New Jersey Performing Arts Center
    Royal Opera House
    Centre de Congres / Expositions
    Avery Fisher Hall Renovation

    Christopher Brooks now works for:

    Acoustic Dimensions
    145 Huguenot Street, Suite 406
    direct phone: 717.291.9123 - main office phone: 914.712.1300 - email: cbrooks@acousticdimensions.com


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